Ghum Nei ‘by Mohakal Natya Sampraday hypnotizes at Ganga-Jamuna cultural festival


Photos: Sheikh Mehedi Morshed


Photos: Sheikh Mehedi Morshed

As the lights go down, the stage begins to vibrate to the sound of footsteps – then the audience sees a beautiful assemblage of choreographed dances that beautifully portray the passion and energy surrounding a brutal battlefield as the young blood fades. occasionally rises to fight for independence, a war against the oppressor, and a true love for the nation.

The introductory scene builds up to the intensity of the play and soon the audience was engulfed in the world of the brutal battlefield, where death is inevitable and freedom is the only source of life. At the end of the first scene, the whole scene resonates with the background score “Ghum Nei” which suits the name of this piece perfectly.

The fusion of golden and blue lights beautifully depicts the calm waves of the sea, while the ravages of the battlefield have been intensified by the powerful force of the red light.

The drama beautifully portrayed the raw stories of 1971 and how the untold sacrifices of young people such as Somor, Rumi and others gave birth to the creation of the liberated nation named “Bangladesh”.

After eight long years, the Mohakal theater group Natya Sampraday has directed their 109th adaptation of “Ghum Nei”, based on a novel of the same name written by cultural personality and freedom fighter Nasiruddin Yousuff Bachchu.

Directed by John Martin, the liberation war-based play “Ghum Nei” was staged on Tuesday on the 5th day of the Ganga-Jamuna Cultural Festival performance at the National Theater Hall of Bangladesh Shilpakala Academy (BSA). The remarkable piece was first performed in 1994 in Bangladesh Mahila Samity.

Nasiruddin Yousuff spoke to the Daily Star about the vision behind writing the brilliant masterpiece.

“This is not just a work of fiction, each character and incident is based on real life events.“ Ghum Nei ”reflects some of the memories I have experienced as a freedom fighter, while others have been intensively researched to uncover the truth, ”says Nasiruddin Yousuff.

“I wrote this book almost poetically as if my emotions were beautifully expressed through my stream of consciousness. There are 3 incidents that are included in the book, which I went to this place to do proper research for. .

For example, the story of Somor, the young man died during the Jamalpur war and since I was in Dhaka, I was not able to meet him personally. However, I went to Jamalpur, and there I spoke with his friends, family and colleagues to find out his real story, ”added the comedian.

Mir Zahid Hassan, founder and president of Mohakal Natya Sampraday, also explained why there was only a huge 8-year gap for the staging of the production.

“Due to the lack of theaters and the emergence of new productions at the time, we had to wait 8 years to stage this drama for the public,” says Zahid Hassan.

Speaking of the coin, Mohakal founder Natya Sampraday said that this coin is a memoir of the war of liberation. “Some of the freedom fighters are still alive, including Nasiruddin Yousuff Bachchu, Habibur Alam (Bir Protik), Sahidullah Khan Badol. buried over time. These true stories are projected through this live performance, ”added Zahid.

“We tried to portray the true image of war through various props such as Lathi (sticks), white clothing curtains, pradip (Light) and also through bodily movements.

Director John Martin, who currently lives in Australia, gave instructions to the crew online.

The play was based on the book by prominent theater activist and freedom fighter Nasiruddin Yousuff, “Ghum Nei”.


The play was based on the book by prominent theater activist and freedom fighter Nasiruddin Yousuff, “Ghum Nei”.

“It was Martin bhai’s first staging in Dhaka. This play really means a lot to him and he taught us throughout the rehearsal period so that we can perform at our best,” the president said. of the theater company.

The drama depicts 10 chapters of the stories starting with the introductory part of Shahadat Chowdhury and the part on the river which focuses on Nasiruddin Yousuff’s own life story as they returned to Dhaka after completing their training in India. Later, the drama mirrors the stories of Shahid Shafi Imam Rumi, Manik, field hospital scenes of Dr Zafrullah, Dr Morshed and Dr Mubin. Yussuf Ali of Jamlapur, Chattragram “Operation Jackpot”, and the tragic death of Shahid Titu.

Modern touches have been added to the drama, to bring it up to date with the current theater landscape. Earlier, room lighting was provided by Anirul Islam Tipu, but Shankar Kumar Dhor and Nazrul Islam added their own modern touch and feel to the lighting. Additionally, the choreography performed by MA Azad was adapted by a new cast member named Aminul Ashraf to add a different flavor to the show.


Darcy J. Skinner

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